The titletrack on A initially places a synth arpeggio behind a kick that in dryness is hardly to excel. The beat of "Trilogy" is then
seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &ME even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. Sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd.

On the flipside, Woods' is living up to its name from the very beginning. Woody percussions are thumping within an almost
subtropical scenario that's frequently pervaded by mighty synth clouds. And once again, there's an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. Add a break building that will educe a floor's complete euphoric potential without going for the rather mindless escalation and there you have it: a B-side that's actually more of an